From the publisher: The first edition of The Rhetoric of Fiction transformed the criticism of fiction and soon became a classic in the field. One of the most widely used texts in fiction courses, it is a standard reference point in advanced discussions of how fictional form works, how authors make novels accessible, and how readers recreate texts, and its concepts and terms - such as "the implied author," "the postulated reader," and "the unreliable narrator" - have become part of the standard critical lexicon...

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From the publisher: Living by Fiction is written for - and dedicated to - people who love literature. Dealing with writers such as Nabokov, Barth, Coover, Borges, Garcia Marquez, Beckett, and Calvino, Annie Dillard shows how contemporary fiction works and why traditional fiction will always move us. Like Joyce Cary's Art and Reality, this is a book by a writer on the issues raised by the art of literature. Readers of Pilgrim at Tinker Creek and Holy the Firm will recognize Dillard's vivid writing, her humor, and the lively way in which she tackles the urgent questions of meaning in experience itself.

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From the publisher: Forster's renowned guide to writing sparkles with wit and insight for contemporary writers and readers. With lively language and excerpts from well-known classics, Forster takes on the seven elements vital to a novel: story, people, plot, fantasy, prophecy, pattern, and rhythm. He not only defines and explains such terms as 'round' characters versus 'flat' characters (and why both are needed for an effective novel), but also provides examples of writing from such literary greats as Dickens and Austen. Forster's original commentary illuminates and entertains without lapsing into complicated, scholarly...

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Los Angeles Times: John Gardner's On Moral Fiction is criticism with both eyes open, fearless, illuminating, proving...that true art is moral and not trivial.

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From the publisher: Here is a practical guide to writing short stories that explains all the essential techniques of fiction - from character and plot to flashback and foreshadowing - in a way that is both understandable and useful to the beginning writer. Long considered a classic in the field, Writing in General is the product of a lifetime of reflection by one of our best literary minds.

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From the publisher: Thirty years ago my older brother, who was ten years old at the time, was trying to get a report on birds written that he'd had three months to write [It] was due the next day. We were out at our family cabin in Bolinas, and he was at the kitchen table close to tears, surrounded by binder paper and pencils and unopened books on birds, immobilized by the hugeness of the task ahead. Then my father sat down beside him, put his arm around my...

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From the publisher: Pulitzer Prize-winning novelist Toni Morrison brings the genius of a master writer to this personal inquiry into the significance of African-Americans in the American literary imagination. Her goal, she states at the outset, is to "put forth an argument for extending the study of American literature...draw a map, so to speak, of a critical geography and use that map to open as much space for discovery, intellectual adventure, and close exploration as did the original charting of the New World--without the mandate for conquest." Author of Beloved, The Bluest Eye, Song of Solomon, and other vivid portrayals...

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From the publisher: After her death in 1964 Flannery O'Connor left behind a body of unpublished essays and lectures as well as a number of critical articles that had appeared in scattered publications in her lifetime. The brilliant pieces in Mystery and Manners, selected and edited by O'Connor's lifelong friends Sally and Robert Fitzgerald, are characterized by the boldness and simplicity of her style, a fine-tuned wit, understated perspicacity, and profound faith...

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From the publisher: You know the authors' names. You recognize the title. You've probably used this book yourself. This is The Elements of Style, the classic style manual, now in a fourth edition. The revisions to the new edition are purposely kept minimal in order to retain the book's unique tone, wit, and charm. A new Glossary of the grammatical terms used in the book provides a convenient reference for readers. The discussion of pronoun use is revised to reflect the contemporary concern with sexist language. In addition, there are numerous slight revisions in the book itself which implement this advice. A new Foreword by Charles...

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From the publisher: In her 93 remarkable years, Brenda Ueland published six million words. She said she had two rules she followed absolutely: to tell the truth, and not to do anything she didn't want to do. Her integrity shines throughout If You Want to Write, her best-selling classic on the process of writing that has already inspired thousands to find their own creative center. Carl Sandburg called this book "The best book ever written about how to write." Yet Ueland reminds us that "Whenever I say 'writing' in this book, I also mean anything that you love and want to do or to make." Ueland's writing and her teaching are made compelling by her feisty spirit of independence and joy.

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